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Satya Prakash’s POV

Our indo-Argentinean film “THINKING OF HIM” is going to release on 6^th of May 2022 across Indian theatres.

This film is shot through ” ANGLE PLUS ANGLE...” camera angle, conceiving one shot  per scene.  One shot of a scene includes many fictional characters set in a location in Kolkata, Shantiniketan( Bolpur), Howrah, Sundervan (India) and various locations of Buenos  Aires (Argentina). There are many moving compositions of events, making long shot, Mid-shot, Close-up and Big close-up. Movement of camera and characters are carefully choreographed to make a successful shot to complete a scene. Several takes of a scene are taken to choreograph the compositions of location, characters and camera to find the okay scene or film.

 One shot film is like a stage drama theatre where characters come to stage to perform their acting in given situation of stage light before the audiences. Therefore, rehearsal is much needed before final staging of drama before the audiences. Likewise, during filming, the different departments of the film under the supervision of cinematographer, director and his associates become active to sync the various composition, movement of camera and characters in the given location to shoot shot to complete  a scene or a film.

The Hollywood movie “The Birdman” of 2014 is a long English feature film based upon one shot. The film “1917” is a war movie made in 2019 and it is also a one shot film. It pleasantly stuns me how a long feature film involving various events of bombing, tank-movement of both of the sides and their many fighting troops holding many weapons at various places of war-zones may have chorographically  arranged, synchronised to create a continuous impact showing all emotions.

Therefore, I request you all to watch out the new device of filming our International film “THINKING OF HIM” that is being released on 6^th of May,2022.

Film—THINKING OF HIM ( in English)

Director—Mr.Pablo Cesar

Associate Director—Satya Prakash Gupta

Co-producer—Mr.Suraj Kumar

Actors—Victor Banerjee,Aleonora Wexler,Raima Sen,Hector Bordoni etc.

Banners—Cesar Films & Johnson-Suraj Films International

Poster of the Film

Trailer of the Film

 

Film FAGUN HAWAY

About The Films
Satya Prakash’s POV


Film” FAGUN HAWAY”
Langage- Bangla
Cast-Yashpal Sharma,,Nusrat Imroz Tisha, Siam Ahmed etc of Bangladesh

The famous director of Bangladesh Mr.Tauquir Ahamad’ FILM  “FAGUN HAWAY” was the scintillating attraction in the 4th Raipur International Film Festival( 10—14 Feb,2020).

The film maker Mr. Tauquir Ahmad has infused History into an art form of cinema and that’s why it is known as SEVENTH ART AND TENTH MUSE. The film” Fagun Haway” (The spring wind)by its name gives a soothing and pleasant romance. But this film is dabbling with humor into the ocean of a small period of history of East Pakistan ( East Bangladesh) that is the chaos period between the ruler of Pakistan and the  common people of Bangladesh over the conflict of language “ Urdu only” over the 56 % population of Pakistan and that triggers the stir of liberation of Bangladesh in 1971 after lacs of Bengali people were massacred by language-fanatic of Pakistan ruler.

Bangladesh is the first country in the world, which has evolved on its mother language “ Bangla”Bangaladesh celebrates 21 Februry as Languga Martyr’s Day because young students of Bangladesh, cutting across the religions sacrificed their lives for their mother language.

 UNESCO has dubbed 21 February as” International Mother Language Day” and it celebrates it.
The incident is bloodbath between the student, gentry and Pakistan’s barbarous ruler was pathetic and horrified before the director Mr.Tauquir Ahmed.The film could have been tragic but he has taken the film to a hilarious romantic level. However, rambling of mind of the director has oozed out the complete package of a satirical film that encompasses the love .He has proved it that Bangla language can be the language of love and business.

The director Mr.Taukuir had adapted the film from a novel “ Bou Kotha Kou” written by Tito Rahman. The director has set the film locations on  Khulna’s Chandranagar” in Bagladesh. The film’s subject has two tracks with the similar characters. One track is popular language struggle that is borne out in 1952 in East Bangladesh of Pakistan and second track is  love that flow the spring wind.

Jamshed Ali khan has been deputed as Police officer in Chandranagar as a punishment. While coming to Chandranagar, he goes mad to listen to Bangli.He does not listen to a single word of Urdu that is spoken in Eastern Pakistan. His Urdu is not the language of communication. Police Officer Jamshed  is a language- chauvinist. While on rowing across the river “PADMA”, he slaps the Bowl singer, singing song on Ektara in Bangla. The boat has young girl Dipti with her doctor grandfather and Nasir, a student in Dhaka University were rowing to other bank of river where they live. They are the students in Dhaka. They have spent their vacation in the village. Nasir registers his protest as to why, he hit the Bowl singer. Jamshed scolds him too, because he speaks to him in his mother tongue. After the scuffle, Dipti takes notice of him who fights for Bengali language. The four eyes of loving humans exchange a lot.

Police officer Jamshed Ali Khan is so cynical that he sets up  an Urdu class by managing an Urdu Teacher at  his Police station and starts teaching Urdu to the Bengali Police posted there and he drags some locals to learn Urdu and speak it. He teaches a parrot Urdu, who speaks Bengali only. Jamshed’s madness grows and he writes a letter to  Prime Minister Jinna to make Urdu a national language of Pakistan. He hates Bengal’s drooling food “Machcho-Bhat”( Fish-rice) and orders his subordinate police to arrange Chicken and Mutton only. He construct the wooden cage for cocks and hens. He selects four healthy cocks and names them as Jinnah, Liyakat Ali Khan, Nizammuddin and he strictly instructs the subordinates to look after these cocks who are his pride and they will not be throated as food. Nasir suffers much when the same Bawl music singer leaves for India.

Jamshed’ cynicism spreads to the dwellers of Chandrapur, particularly to the youths and they get infuriated with forceful teaching of Urdu and implementation of Urdu-only as a National Language. Few of the youths get engaged in rehearsal of a Bengali Play to utilize their vacation. Dipti, Nasir, son of a businessman and others and few of them are engaged to teach a series of lessons to Police officer Jamshed Ali Khan. This is the time of December 1951 and the struggle of language against Pakistani rulers spread across the Eastern Bangaldesh.

The location of the film is a simile of entire East Bengal. The youths of Chandrapur steal the metaphorized cocks in the night and they organize party and eat them. The youths drink their four bottles of alcohol and urinate them. Jamshed drinks that, cracks the laugh and this visual remembers the Charlie Chaplin’s acting. Chaarlie says, if the cruel and powerful person comes into a panic state, audiences connect to them through the “Process of Generalization of Art”. The young boys fears Jamshed by making a false ghost in night. Jamshed inflicts a series of atrocities on people of  Chandrapur by jailing the youths, raping the young dumb girl who cleans his house. When he finds, the maid-servant is dumb, he is strangely happy and he raps her without the protest in Bengali.

The dumb girl is metaphorically used as a character in the film that Pakistan ruler forcibly suffocates the huge Bengali Population to impose Urdu that is the language of western Pakistan and India. The Bengali populace has been seeking Bangala as their official language.
Jamshed bans the Bengali play that is to be staged. Dipti’s grandfather forces Dipti to leave the country. Nasir is upset. The huge demonstration led by young Nasir inspires the police to revolt against Police officer Jamshed Ali Khan. It is observed. Five young students were gunned down on 21 February,1952 and it triggers the mass movement against Pakistan rulers gradually.This language movement is the genesis of liberation of Bangladesh from Pakistan in 1971.

Indian Film actor Yashpal Sharma has profoundly crafted the role of Police officer Jamshed Ali Khan. His cynicism holds the screen. Bangladesh Federation of Film Societies (BFFS) had nominated for the Best International Feature Film category at the 92nd Academy Awards.

 

About Films

Satya Prakash' POV


4th  RIFF (4th Raipur International Film Festival.

FILM FESTIVAL is the venue of interaction of fictional character on screen and physical characters in audience. 4th Raipur International Film FESTIVAL ( 10—14 Feb2029) had been so enthralling that has amazed me much a part from Film Festival of being organized in metro cities where interaction is much difficult.

However, The Raipur Film fest seems to be local but it was global, showcasing films from Bangladesh, Indo-Argentinian Films and many indigenous films as well as short films .
 I salute two persona like Mr.Subhash
Mishra and Film critique Ajit Rai who organized the entire film festival in a splendid way.

Many short films and documentary films had been so fascinating that were informative as well as a matchless change for the audiences.

In five days of film festival, some of the master classes of film making were delivered by directors and few persona Mr. Tripurari Sharan on the script of the film.His class was full of new things about scripting. He is the senior IAS officer ,posted as chief principal secretary of Bihar Government. Before, he was director of Film and Telivision Institute of India, Pune.He enlivened FTII again after long closure.He had introduced Rajkumar Rao for the first time in his directorial film. Later on ,Mr.Tripurari Sharan was made director –general of Doordarshan. He is very dynamic to trigger the bullet like  examples from the world cinema to support his analysis about the script and the filming.

The great script writer Mr.Ashok Mishra came to film festival from Mumbai. He  had been scripting the films of great film maker Mr.Shyam Benegal and many more feathers in his cap will be surprising the people like scripting “BHARAT EK KHOJ” for TV serials. I noticed him mingling with aspiring writers, directors and  and actors and had few words on the film” RAGDESH” directed by Mr.Tigmanshu Dhulia who also participated in the long discussion after screening his film. “Ragdesh” must go to people of India to see Netajee Subhash Chandra Bose and his amicable relation with Gandhi jee, Nehru jee and other stalwarts of British India. 


Industrialist producer Mr.Sumit Agrawal along with director Nandlal Nayak had showcased a mind-blowing and mindboggling film “Dhoom Kudiya”that presents the plight of tribes of Jharkhand. Film “Dhoom Kudiya” reveals the creeping poverty of tribe people and human-trafficking to big cities and away from the country. The specially missing of girls from Jharkhand is a horrifying chain from the Jharkhand to the various big cities where young girls are exploited in various ways and they never come back. Screening the film had darkened the auditorium much denser and had caused a storm of loneliness that does not allow or compel to participate in question-answer session although few of the cine-lovers had succeeded to wipe the encroaching silence.

The actor YASHPAL SHARMA’s acting in film “ Faguni Hawayen”had provided a new view to audience about the forcible
imposition of language on huge people who do not know the language and later on, its culmination was the emergence of new country BANGALADESH in 1971 after huge flow of blood. The film is a national elegy.

The festival began with the screening Indo-Argentina film” THINKING OF HIM “directed by Pablo Cesar and co-produced by Suraj Kuumar. I am associate director of this film. The film got plenty of accolades and admirations and positive discussion enthralled the cine-lovers in auditorium of Sanskriti Bhavan, Raipur.

The Victor Bannergee as Tagore and Eleonora Wexler as Victoria Ocampo had created a new horizon of love through their intellects, poetry, Painting. The education of   Shanti Niketan oozes out love of humanism. Tagore’s Humanism flows beyond the boundary of nation. The love between Tagore and Victoria Ocampo is awesome and sublimated and such a love is rare in the world. I am too delighted to be part of the film during pre-production and production phase.

Our another film as a researcher “ The Holy Cow” directed by Suraj Kumar reveals the bloody lynching of religious minority in the name of cow to polarize the country for the sake of catching a political power. This documentary cautions the pluralistic society to co-exist amicably instead of making society a fanatic and polarized society.

A part from these films, the young director Kamakhya Narayan Singh”s film “BHOR”  reflects the hope that will be rectifying the mistakes of society and government for betterment in a gradual way. The film hovers around the toilet and woman’s respectibility. A very sensitive movie that surpasses the film TOILET-EK PREMKATHA starrer Akashy Kumar that is the member of Rs100crores club.
The film” I PAD” directed by Amit Rai is far better film that Akshay starrer film “ PADMAN”. Producer Ketan Maru has embraced this film to release in theatre as well as on Digital platform. Amit Rai has revealed that in 2013,the film “I PAD” was screened in IFFI (International Film Festival of India,Goa) and the concept was plagiarized to make film “PADMAN” with great hero Akshay Kumar. This is the blackship in the Bollywood and it should be prevented so that the meaning full film and Film makers will emerge.
Film Maker Pawan Kumar Sharma’s film “Van Rakshak” starrer Yashpal Sharma hovers around the protection of jungle, located in Himachal Pradesh. Pawan’s film reflects pain and pathos of human civilization that is suffering from the paucity of water but horrendous situation is ahead that civilization will not find water and air. Very serious issue of global human has been raised.
London based film maker Avtar  Bhogal’s film “Honour  Killing” reveals the fanatic religious identity in love affair exists even in Indian Diaspora after long stay in London. Prem Chopra, Glshan Grover and Pakistani popular actor Javed Sheikh have marvelously acted in the film.
Film maker Dipankar Prakash’s short movie “ MOSO” gives shock over doubt on woman.Yashpal Sharma and Shweta Padda both have profoundly oozed out their acting capabilities.
Few short films have also churned the neurons of viewers.
4th RIFF is a global film showcase with interactions of many characters like fictional, non-fictional. The participants have observed many visual novels that narrate the tales of layers of a nation and those of various nations like Bangaladesh, London,Pakistan,Argentina, Japan,Germany,Bhutan,Verma,Itly.
 4th RIFF, Raipur had been splendidly successful film festival and credit goes to Mr.Subhash Mishra,Mr.Ajit Rai and team who have rendered the platform of Chhatisgarh film makers to show their talents and to introduce them with experienced Film Makers of the world.
Congratulations to the success of 4th RIFF and I wish them to celebrate the 5th RIFF grandly in advance.

About Films

Satyaprakash's POV

Film PARMANU is a parallel non-glamour Bollywood Film

Film "Parmanu" is a challenging movie for film maker.It has meticulously been made and audiences have loved the film on Nuclear Test in Pokharan. Nuclear power America and Western Countries had sanctioned against India.Late president APJ Kalam had been instrumental and inspirational to do this scientific test at Pokharan

. The film is not glamorously meaty and is not packed with songs and dance number. It is a granular movie, located in Pokharan--real location and one more important thing is the real media footage of then Prime Minister Atal jee and others make the film much more documented and authentic with great ingredients of fictional elements. Director Abhishek Sharma's research and visualization are superb and reckoning.

This is a non-commercial, non-glamour movie but it has earned fat money at box office.Audiences keep coming to see such a film that encapsules India's achievement in the field of Energy.
The restlessness of IITian John Abraham's protagonist character to achieve the target has been fabulously captured in the film.A triangular conflict between john's wife , lady security officer and John Abraham gives the feeling that Indian film must have females to heal up the lovely restlessness of spectators. However,Film PARMANU is , in true sense, a parallel non-glamour Bollywood Film in its long history of Bollywood. .
One must watch this movie.

About Films

Satya Prakash's POV

Protest of the film "PADMAVATI" means victory of BJP in Gujarat 

The release date of the film 'Padmavati' is posponed but Godi media and saffron outfits are contnuously opposing the film as if the pride and glory of Rajputana and Hindutva are in the state of rupture to the level of notoriety.

1. If the pride and glory of Hindutva is Jauhar, it is very much in the film. The mass imolation of woman in order to avoid the capture by enemy troops of victor is called Jauhar.
2. The dance and song of queen Padmavati is pride and glory of Rajsthan. The picturization of Padmavati in dance sequence is so awesome and pious that is not derogatory.
3.The dream sequence of love scene between Delhi Sultanute and Queen Padmavat is cultivated rumour. It is not the part of the film.
4. The film 'Padmavati'is based upon the fictional manifestation of a poet Jayasi. The book is Padmavat and it is written in Awadhi.In order to polarize the Hindu votes against Muslims, the protest of the film has become mandatory.
5. BJP does not take care of the investment,creative writing , direction and production..They are useless in front of caste pride. 

6. BJP and its Hindu vigilante groups go to extent of lynching the people to polarize the votes. So victory may occur at the cost of human life.
7. Art ,literature, Painting, Sculpture and Film are the soft target for politicians to arouse and whip up the sentiment of people to vandalize the creation.
8. The senior journalist Dr.Ved Pratap Vaidik does not find any piece of abuse to queen Padmini, pride and glory of Rajputana.

The protest of the Film 'PADMAVATI' is the victory of BJP in Gujarat. If it happens so , BJP will fund to its Film makers to make such films neaer to election for polarizing votes.

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Satya Prakash's POV

Political brouhaha against the film "Padmavati"is regression of society.

Film 'PADMAVATI' praises and recites pride and valor of Jauhar and Rajputana of Chittorgarh.
Senior journalist and pro BJP intellectual Ved Pratap Vaidik watched the movie and mentioned to the media , not a single scene goes against the pride and valor of Rajputana.Instead ,the film takes the pride to the maximum height of regality.

This is revival of Rajputanism and other castes. Is this Hindu Dharm ? It is fruitful ground for other casteist leaders to polarize their votes against BJP as well.

The upsurge of Rajpoot community will give the way for  upsurges of various  castes that are deterimental to the development of Indian society as a whole.As a result, art, literature,Cinema will also falter.

Period of PM Modi would be authored as Regression period of country.

About Films


Satya Prakash's POV



सिंधिया -थरूर, कांग्रेस-भाजपा और इतिहास-कला

शशि थरूर को फिर से इतिहास पढ़ने को कांग्रेस नेता ज्योतिर्दित्य सिंधिया ने कहा है ! सिंधिया को अपने अतीत राजतन्त्र और उसकी क्रूरता पर अभिमान है ! राजतन्त्र में भी हरम होते थे सिर्फ मुगलों, नबावों के यहाँ ही हरम होते थे , ऐसा नहीं है ! जब एक रजवाड़े का दूसरे रजवाड़े से युद्ध होता था तो विजेता की पैनी निगाह हरम पर ही होती थी क्योंकि औरत राजतन्त्र में पटरानी,रानियों का ज़रूर दर्ज़ा प्राप्त कर लेती थी लेकिन इनकी संख्या सैकड़ो और हज़ारों में होती थी ! राजतन्त्र का विरोध इसीलिए होना चाहिए की औरत गुलामों की ज़िन्दगी गुजरने के लिए अभिशप्त थी लेकिन प्रजाओं के लिए वो महारानी , रानी होती थी और राजा औरत के लिए युद्ध भी करते थे ! हरम में औरत राजाओं के काम-पिपासा के लिए थी लेकिन युद्ध में हारने के बाद ये जौहर कराती थी ! रानी पद्मावती ने भी १२००० औरतों के साथ अग्नि-कुंड में कूद गयी थी ! सती-प्रथा में जैसे पत्नी को मृतक पति के साथ जलना पड़ता था ! औरत सिर्फ पुरुष की भोग्या है ! पुरुष ख़त्म तो उसकी पत्नी को जौहर करा दो , सती बना दो या विधवा बनाकर सारे जीवन वीतरागी बना कर रखो ! कांग्रेस नेता ज्योतिर्दित्य सिंधिया को इतिहास की इस क्रूरता पर गौरव है तो वो अभी तक राजत्व के अवशेष बाहर निकल नहीं पाए हैं ! उन्हें पता नहीं की ये लोकतंत्र है , देश में एक संविधान है ! फिर तो उन्हें अपनी दादी राजमाता सिंधिया और बया मुख्यमंत्री राजे सिंधिया की तरह भाजपा में होना चाहिए ! यूँ भी को ठिकाना नहीं ! दोनों के बीच आदान-प्रदान होते रहते हैं !

इतिहास की इस घटना पर सिंधिया जी का क्या विचार हो सकता है?
संयोगिता और पृथ्वीराज चौहान की प्रेम गाथा के पीछे युद्ध और षड्यंत्र का इतिहास भी है ! कन्नौज के राजा जयचंद्र की सुपुत्री संयोगिता , मोहम्मद गोरी और पृथिवीराज चौहान की कहानी पर करनी सेना और सिंधिया को क्रोध क्यों नहीं आता ? राजा जयचंद संयोगिता और पृथ्वीराज चौहान की शादी न हो ,१७ बार युद्ध हुआ था ! जयचंद ने मोहम्मद गोरी को आमंत्रित किया था ! इसमें जाति मत तलाश कीजिये , इसे सिर्फ प्रेम के लिए युद्ध मानिये ! व्यक्तिरूप से मैं प्रेम को जाति और धर्म के पूर्वाग्रहों से ऊपर मानता हूँ और प्रेम इसीलिए किसी को किसी से हो सकता है ! प्रेम में युद्ध राजतन्त्र में होता था ! लोकतंत्र में प्रेम करने की आज़ादी है लेकिन लोकतंत्र ने अब ऐसा रूप ले लिया है कि ध्रुवीकरण हो जाता है और चुनाव में जीत का रास्ता आसान हो जाता है ! इसीलिए अंतर्जातीय और अंतर-धार्मिक शादियों पर आज राजनीती होती है और लव-जिहाद, घर-वापसी जैसे धार्मिक-अवधारणाओं की रचना हुयी है ! सिंधिया ऐसी ही राजनीती का समर्थन करते दीख रहे हैं और इसीलिए पद्मावती फिल्म के बहाने अपनी ही पार्टी के शिक्षित और विद्वान नेता शशि थरूर पर हमला कर बैठते हैं क्योंकि उनके पक्ष में एक खास जाति का ध्रुवीकरण मध्यप्रदेश के चुनाव में हो सके !कांग्रेस पार्टी पर इसीलिए अब लोगों का विश्वास काम हुआ है ! उत्तर भारत में कांग्रेस अगर उभर कर आएगी भी तो सिर्फ भाजपा के असफल होने से ! मध्यप्रदेश . छत्तीसगढ़ और हरियाणा में कांग्रेस की लौटने की संभावना बनी है लेकिन सिंधिया जैसे नेताओं की वजह से समीकरण बिगड़ भी सकते हैं ! ५-६ प्रतिशत वोट के चक्कर में विशाल जनता का समर्थन खो सकते हैं ! मेरे गावं में इस फिल्म को लेकर बहस चली और बहुसंख्यक ग्रामीण फिल्म के रिलीज़ होने के पक्ष में हैं ! जो जाति इस फिल्म का विरोध कर रही है,उसमें अधिकांश लोगों ने करनी सेना के उबाल के पीछे राजनीति और साज़िश बताया !
कुछ दिन पहले फिल्म " इंदू सरकार" का विरोध कांग्रेस पार्टी कर रही थी ! फिल्म को जब सेंसर बोर्ड ने सर्टिफिकेट दे दिया तो उसे रिलीज़ होने दीजिये ! विरोध के बावजूद रिलीज़ हुयी लेकिन क्या कांग्रेस की सरकार होती तो ये रिलीज़ हो पाती ? बिलकुल नहीं ! क्योंकि इन्होने पहले भी फिल्म " किस्सा कुर्सी का" और "आंधी " जैसी फिल्म को प्रदर्शित नहीं होने दिया था ! कोई भी पार्टी क्यों नहीं अपनी गलतियों के इतिहास से सबक लेती है ! फिल्म आइना है, आप खुलकर और ठन्डे मन से ज़रूर देखना चाहिए ताकि उन ग़लतिओं से सबक ले सके ! अगर फिल्म अच्छी नहीं है तो उस पर आलेख लिखें, सेमीनार आयोजित करें और बहस करें ! कांग्रेस और भाजपा को बहस से डर रहता है क्योंकि इनके अंदर लोकतंत्र का अभाव है! इसीलिए विरोध और मतभेद को बर्दाश्त नहीं कर पाते ! भाजपा और इसके समर्थन करनेवाले बहुत सारे हिंदूवादी संगठनों में धैर्य तो बिलकुल नहीं है ! भाजपा फिल्म का समर्थन कर रही है लेकिन उनके नेता और मंत्री नहीं ! गुजरात में भाजपा फिल्म पद्मावती के विरोध में है ! उत्तरप्रदेश में मंत्री चेतन चौहान विरोध में खड़े हैं !
हॉलीवुड और जर्मनी में हिटलर के पक्ष-विपक्ष में फिल्म बनी है लेकिन कोई तोड़-फोड़ नहीं क्योंकि वहां वंश की राजनीति ख़त्म हो चुकी है ! कला, साहित्य और सिनेमा का विरोध यूरोप और देश के दूसरे हिस्सों में सेमिनार में बहस के ज़रिये होते हैं !
दुनिया का सारा इतिहास द्वंद्वात्मक और वर्ग की अवधारणा पर आधारित होती है ! राजा का वंश ही राज्य करता था न की उनकी जाति के लोग ! उनकी जाति के लोग भी आम प्रजा या रियाया की तरह ही राजा, रानी, राजकुमार और राजकुमारी को कोर्निश करते होंगे ! उनकी जाति के लोग भी गरीब होते होंगे ! उनकी जाति के लोगों के घरों से भी खूबसूरत लड़किओं को राजा अपनी बहुत साड़ी रानिओं में शामिल करते होंगे क्योंकि वो राजा था क्योंकि उसे इश्वर ने राजा बनाया है ! लेकिन ऐसा नहीं है ! नहीं तो युद्ध कभी नहीं होते !
इसीलिए फिल्म " पद्मवती " का विरोध करनेवाले राजपूत करनी सेना अपने समुदाय के लोगों को जाति -विशेष के नाम पर जो हिंसक बना रहे हैं , उन्हें विवेक रहित कर रहे हैं , उन्हें वोट बैंक बना रहे हैं ! लोकतंत्र को कमज़ोर कर रहे हैं और यही काम कांग्रेस नेता ज्योतिर्दित्य सिंधिया कर रहे हैं !
कला, साहित्य और सिनेमा को रौंदकर प्रधानमंत्री मोदी जी भी देश का सर्वांगीण विकास नहीं कर सकते हैं और साढ़े तीन साल में इन्होने तय कर लिया है कि हमारा विकास गायगोबर, जुमला है ! कांग्रेस की वापसी की संभावना बन तो रही है लेकिन जो भाजपा कर रही है ,कांग्रेस भी वही करेगी तो फिर भाजपा के लिए रास्ता आसान बनेगा ! फिल्म -निर्देशक संजय लीला भंसाली और फिल्म-नायिका दीपिका पादुकोण के सर काटने वाले को करोडो रुपये इनाम देने वालों के साथ अगर कांग्रेस के नेता खड़े दिखेंगे तो कांग्रेस-भाजपाका फ़र्क़ तो ख़त्म ही समझो !
फिल्म " पद्मावती" का रिलीज़ डेट बढ़ गया है , शायद गुजरात चुनाव के बाद होंगे ! अब तो गली-गलौज और तोड़-फोड़ बंद करो मेरे वीरगाथा के रसगंगा में बहनेवालों शूरवीरों !

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मनु से फिल्म " पद्मावती" पर बातचीत 

अभी अभी १७ साल के मनु से बातचीत हुयी ! ग्वालियर का लड़का है ,छात्र है और संजय लीला भंसाली की फिल्म " पद्मावती" के विरोध में वव्हात्सप्प परमेस्सगे भेजा ! बेरोज़गार ग्रुप में मुझे भी डाल दिया है, सच भी है फ्री लांसर तो बेरोज़गार ही होते हैं ! खैर मनु के पोस्ट पर मैंने टिप्पणी कर दी कि पहले फिल्म देखिये ! विरोध का तोड़-फोड़ का रास्ता गलत है ! उसने मेरा नाम पूछा, बता दिया ! मैं इस उम्र के बच्चे का आक्रोश सुनना चाह रहा था !मनु बहुत ही शालीन मिजाज़ का लगा ! उसकी बातों में गुस्सा था ! बहुत सारी बातों को लेकर वो भ्रम में रहा ! जैसे उसने कहा कि रणवीर सिंह और दीपिका पादुकोण के बीच हॉट सन है ! इस फिल्म में तो कतई नहीं है ! अभिनेता रणवीर सिंह ने दीपिकाके साथ हाल में दो-तीन फिल्में कि है जो उनदोनों के बीच के प्रेम-प्रसंग को लेकर रणवीर ने मस्ती में कुछ कह दिया जो सोशल मीडिया पर वायरल हो गया ! दोनों का हॉट सीन फिल्म गोलियों की रासलीला : रामलीला और " बाजीराव मस्तानी" में है ! रणवीर और दीपिका के उस हॉट सीन की बातचीत को संजय लीला भन्साली की पद्मावती" से जोड़ दिया गया है ! इस फिल्म में श्रीलंका की राजकुमारी पद्मावती और चित्तौरगढ़ के राजा रत्नसेन के बीच का प्रेम का चित्रण स्वाभाविक है ! राजा रत्नसेन की भूमिका शाहिद कपूर ने की है ! यहाँ भ्रम उत्पन्न होता है !

फिल्म "पद्मावती" सिर्फ रानी पद्मावती की कहानी है ,उनकी प्रतिष्ठा, उनके राज्य कुल की सारी गरिमा को निर्देशक भंसाली ने फिल्म में बहुत अच्छी तरह से छायांकन किया है ! फिल्म का उच्च-स्तरीय निर्माण चित्तौड़गढ़ के राजमहलों और पोशाकों पर शोधपरक ध्यान रखा गया है ! गहने, जेवरात, झूमर और महलों की दीवारों पर रंग-रोगन और उत्कीर्ण तस्वीरें, संकेत और रात्रिकालीन रौशन की भव्यता का खयाल रखा गया है ! एक-एक चरित्र को ऐतिहासिक परिवेश के इंसानों में पैबस्त करने के लिए निर्देशक भंसाली ने दी-रात एक कर दिया तब जाकर ये फिल्म बनी है ! ये फिल्म मूलतः रानी पद्मावती के इर्द-गिर्द घूमती है ! 
मनु ने सवाल उठाया कि इसमें अलाउद्दीन खिलजी को बड़ा किरदार दिया गया है ! ये भी भ्रम पैदा करता है ! फिल्म " पद्मावती" के तीन मज़बूत किरदार हैं : राजा रत्नसेन ,पद्मावती और अलाउद्दीन खिलजी ! अलाउद्दीन खिलजी इस फिल्म में खलनायक है , नकारात्मक भूमिका में है , विध्वंसक है , रानी पद्मावती कि सुंदरता पर पागल, दीवाना और वहशी था ! दिल्ली सल्तनत ही उसकी ताकत थी और देश के रजवाड़े के साथ उनकी अपनी शर्तों पर दोस्ती थी ! हर राजा अपनी सत्ता के प्रसार के लिएकुछ भी करता है ..मतलब युद्ध की सीमा तक जाताहै और दोनों तरफ से लोगों की हत्या होती है ! अब राजतन्त्र नहीं है तो उसकी फिल्म देखते हैं ! देश में लोकतंत्र है , इसीलिए हम फिल्म बनाते हैं और उसका विरोध भी करते हैं ! "पद्मवती" दो राजाओ के बीच की कहानी है , दो राजतंत्रों की कहानी ! दो राजतन्त्रोंके मर्यादा और पौरुष की चलगाथा है ! रानी "पद्मावती" राजा रत्नसेन की अन्य रानियों के साथ जौहर करती है ! तटस्थ होकर इतिहास को देखना चाहिए और फिर उसकी आलोचना और समालोचना होना चाहिए ! तोड़-फोड़ , अराजकता है ! 
मनु को मैने कहा कि इस फिल्म का नायक-नायिका रत्नसेन और पद्मावती है ! प्रबंध-काव्य "पद्मावत" में राजा रत्नसेन की पहली पत्नी --पटरानी रानी नागमती थी जिसकी विरह-वेदना की मार्मिकता को कविता के काव्य के रचना-विधान में कवि मालिक मोहम्मद जायसी ने बखूबी पिरोया है !

मनु अलाउद्दीन खिल जी के खलनायक होने पर शांत हुए ! आवाज़ में गंभीरता आ गयी थी ! कहा अगर आपने जैसी फिल्म की चर्चा की हैतो फिर विरोध तो नहीं बनता है लेकिन लोग तैयार है कि इसे सिनेमा हॉल में लगने नहीं देंगे.
मैंने कहा कि मनु , अब आप लोगों को समझा सकते हैं !
इस फिल्म को लेकर करनी सेना और कुछ दक्षिणपंथी राजनीतिज्ञों ने अपना हाथ खूब सेंका है !
कला , साहित्य और सिनेमा किसी भी देश का गौरव होते हैं लेकिन हिन्दुस्तान में अब ये उपद्रवी तत्वों के शिकार हो रहे हैं !
मेरे फिल्म के दोस्तों से कहना है कि जब आपलोग मुझे कहते हो , आप फिल्म से ज़्यादा राजनीति पर पोस्ट लिखते हो ! देखो ,आपकी फिल्मों का क्या हाल हो रहा है ? देखा आपने कैसे निर्देशक संजय लीला भंसाली को जयपुर में पीटा और उनके दूसरे सेट महाराष्ट्र में सेट में आग लगा दी ! फिल्म को , आप अपने को देश की राजनीति से अलग नहीं देख सकते ! इसीलिए आप भी आईये और कम से कम अपनी फिल्म ही बचा लीजिये !
मैंने मनु से कम से कम बात तो की !

About Films

Satya Prakash's POV

Protest against violent & distorted protest against film” PADMAVATI”

The protest of the film “PADMAVATI” is bulldozing tower of art and aesthetic as tower of educational centres like JNU,HU,ALLAHABAD UNIVERSITY, BHU were attacked to make the students parrot but establishment failed. The films are being stalled with fierce for various periods of various governments. However, the protest is now designed furiously attacking. In Kota, the activists of Rajput Karni Sena had taken law and order in their hands and vandalized the “Aakash Theatre” because it had screened trailer of film “Padmavati” on the eve of “CHILDREN’S DAY”. This is an anti-national act of the group of certain castes of Rajsthan, vehemently supported by ruling establishment in states and centre in order to polarize votes of certain castes whose sentiment is hurt because of the film “Padmavati” that has exposed the queen PADMAVATI of Chittorgarh. 

The film Maker Sanjay Leela Bhansali has convinced the wounded community in many times that all the respects and reputations of legendary queen “Padmavati “ has been kept intact in the film and maintained the grandeur glory and prosperity of kingdom of Rajputana of Chittorgarh. Surprisingly, a new industry has been set up in lieu of industry for jobs in this country. That is called”Industry of Hurt Sentiment” that is actively volatile. The chemical reaction is so bombarding that it cannot be prevented in the test tube or the laboratory. It blows out beyond the wall to react to the body and respect of great film maker like “Sanjay Leela Bhansali” and his film “Padmavati”. Few days before, a Tamil film had hurt the people of ruling class of this country because it has questioned the “PERCENTAGE OF GST “. But see dear friends, the move of Government on GST is 180 degree because of mounting pressure of business community and people. Now it is now adjusted. So mistakes after mistakes, lies after lies, attacks after attacks ruling establishment inflict upon the people and opposition but it comes to normal by taking protest injection.Bhansali’s film has always been aesthetic and entertaining in a dignified ways. His previous film “ BAJIRAO MASTANI” had also received wrath protest from Maratha community for banning the film in 2015 but film was released and people appreciated and loved to see it. The Marathi people particularly entered the theatres from Mumbai to small town.
The Censor Board of Film Certification has given its approval. Prasoon Joshi is sensitive and creative person, positioned by ruling establishment. Then why do MLA, leaders and activists support the Karni Sena that had attacked and bashed up Sanjay Leela Bhansali in Jaipur and vandalised his set in Maharashtra ? This is the tacit agreement between these two organizations. Police is lukewarm towards such vandalized action of Sena. Above all, Supreme Court had snubbed that it would not intervene in sordid affair of banning the film “Padmavati”.
Ruling class of the country is shaking hand with casteist Karni Sena that has not so far watched the movie despite Bhansali’s repeated invitation. So this is hatched conspiracy against art and aesthetic world we have seen in case of Dalit-writer Kancha Ellaihiya who was attacked for release of his recent book. Few right wing Hindu outfits had killed writers and social workers like Dr.Dhabolkar, Comrade Pansare,Prof.Kulburgi and journalist Gauri Lankesh to shut the mouth against right wing injustice.
Bhansali’s each film is the moving showcase of historical facts aesthetically. His film fetches heavy investment like more than Rs.100 crores. How can he puts controversial elements in the film for invitinting wrath and hostility of community. The vandalism and brouhaha are negative for the investment in the film.He makes film to mint money. He cannot dare to distort the fact. He has consulted the Historians and the epic poetry of Mohmmad Jayasi who had penned this fictional love story in the poetry forms in “PADMAVAT” in Awadhi language and that’s why, it is still popular in the cauldron of human beings. As Tulsidas had jotted down the epic poetry “RAMCHARIT MANAS”in Awadhi”.
However, audiences will pour at theatres to see the movie “Padmavati” and the cine-lovers and writers-directors, actors and all cine-tech persons of Indian Cinema must stand up to support for the successful release of the film.
I wish Mr.Bhansali for grand success of his film “Padmavati”

About Films

Satya Prakash's POV

Baba Ram Rahim has written autobiographical script.

Political film is being set in Haryana with tight security of Paramilitary and Flag March of Army in the cities of Panchkula and Rohtak.The makeshift court is being constructed for court drama in the Rohtak Jail.The judges will land from the Helicopter with fortified security because the devotees of Ram Rahim has demonstrated their muscle power against state two days before in Haryana and Punjab by damaging the public and private property, assaulting upon the Police and common people. Around 38 People lost their lives to protect their Godman.Entire country is stunned to the strength of Hero Gurmeet Ram Rahim who had headed more than 35 departments of Film "MSG: The Warrior lion Heart".He is hero, director, Story-writer,Music Director, Costume Director and above all he is the producer too for the films.In Bollywood, if someone manages investment in making the films, he does not listen to others and he delivers all crafts of cinema whether or not he is aware of the technology of making the film. Saint Gurmeet is having plenty of money,can be sensed through the violence designed by him or his followers who had gone against the integrity of the country by chanting anti-national slogans.

 

Therefore,the making of the film is being shot by the various TV channels through various camera angle.Real film will begin at 2.30 pm in court that is the last scene of the film. The climax may create violence so that the Army is marching on the roads of Haryana, raising the flag and cautioning the self-proclaimed protector of Reilgion.However, the disciples of Godman Ram Rahim can not be mum over the final hearing of punishment.

 

The POV may be different but the judges have shown their commitment to restore the values of Law Book of country.The POV is point of view, Subjective Camera Angle and Objective Camera Angles altogether make the film.Here the anchor of various Satellite TV channels will becoming to the people of India through Subjective Camera Angle but the film will have all the camera angles. Baba Ram Rahim must have been familiar with these angles because he has directed the films.

Our judges will render the strict punishment so that other such so called religious ,hypocrite and jingoist saint will take lesson to disturb the integrity of the country. Court will go through the pathological treatment of such anti-national. 

 

Please be careful to see the film even at your Home TV Set.They have AK 47 and other high-tech arsenals confiscated from his Religious Ashram.Such an anti national vandalism, intimidation and murder must be amounted as Anti-National activity.

 

After climax of the film, the film would be action-oriented with perverted romance.Baba Ram Rahim can produce a film by financing his subordinate saint who will act as Ram Rahim,will be patronized by the government.

Religion is much more powerful than state ?

About Films

Satya Prakash's POV

Religion is much more powerful than state ?

Violence erupted in Punjab and Haryana when Baba Gurmeet Ram Rahim of Suchcha Dera was convicted in rape case has inspired me to write in two reasons:

First it's obvious by inclination of writing interest on social-political upheaval and second the saint has produced few of the films by becoming hero in those films.The political system is recessive and religious system is dominant. Or there may be tacit relation between Religion and politics.

Religion is much more powerful than state .One can see it in Haryana and Punjab.The army and more than 15000 para-military forces deployed, all modern high-tech communications blocked did not prevent religious vigilantes religious fanatics from damaging private and public property in bigger proportion and didn't save the people's lives. How can a rapist be  the master of knowledge to redeem the sufferings of the people ?

Religion can not be synonymous to the Development.How can the bloody and ferocious lumpenism of these followers of saint turned hero Gurmeet Singh and lynching activities of Cow-vigilantes convince me and other rational people that Religion is non-violent.

How can government fail to control them despite so many security precautions, surfaces doubts. The Home Minister Rajnath Singh was in touch with administration and other from foreign land but violence happened in its gruesome manner.

In Punjab,two Railway stations were damaged.Today, Haryana Roadways are looking a clean black serpentine road. Religion is like venom of snake only.

Another saint Rampal's verdict is also about to come in next week.Goverment must take precaution to look after the people of the state.

Religion is much more powerful than state we have seen in Mosque demolition in Ayodhya and now here in Haryana and Punjab.The people lose their thinking capacity as we have seen the few fanatics who go against a fourteen years old boy who had written something wrong about incarnated persona of a religion. So much brouhaha of hostility was aired !!!!!!

People died do not matter, religion matters because it wins to kill the people by intimidating the people and state power.

We are shooting here. Few of the people have forbade us from coming for shoot.The precarious position can be registered on the long and lonely road.Fear has gripped the ambience around human settlements and on the road that has brunt cars, vehicles.As if it is a bloody violent action scene of a film shooting.Very horrendous scene !!!!!!!!!!!!!!!

This violent action has a pathetic story as well as a grotesque romantic story of a Saint Gurmeet Ram Raheem Singh of Dera Suchha. The baba has been producers of two-three films and he became hero of the films "MSG", MSG 2" and other films.The saint has been glamour-loving world and that's why, he has made film by becoming protagonist who has created a magical karishma of being  incarnation of God who conveys the message of God. The film has high-tech use of VFX to enlarge the Baba Ram Rahim.He stir ripple in water of Bollywood but he is fanatic in creation also. He is self-centric and so he used to guide and control directer too. He had invested  seventy million Indian currency for his films. Other than this, he spent many millions Indian currency on Publicity and Release.Film got its money back along with Benefit .Ram Rahim has 100 million followers in the country but much more in Haryana and Punjab.

Our hero is in Police custody. However, he has shaken the political  power of Punjab and Haryana.One of saint who is Member of Parliament,has opposed the judgement of the court.It shows that Baba Gurmeet Ram Rahim has great influence upon the present political combination of ruling class of India.

The film maker must come forward to make a fabulous film on such a brave saint whose arrest has ruptured the law and order system of two states and more than 30 people lost their lives.

I am not shooting today. I am here only.

About FilmsSatya Prakash's POV

Film or any art form liberates the human world critically.

As a film maker and liberal person believing in universalization cannot go with opposition or ban of the film”INDU SARKAR” directed by Madhur Bhandarkar. Madhur keeps making a film based upon reality that prevails in our society. I am in support of “No Ban” to any art form of the world. The CBFC headed by Pehlaj Nihalani has been in controversy and brouhaha since he has been heading it for the matter of puritan form of art. Mr.Pahlani had gone against the film “ Lipstick Under My Burkha” produced by Prakash Jha who won the case in court and got the green flag of release. How can Pehlaj Nihalani be away from his own films that have obscene and kissing scenes in swimming pool. He had answered that after enthroning the post of chairperson of CBFC he chopped off the scenes after thirty years of their releases, makes me a great deal of laugh.

I and other arty persons must support the film makers for their creations. CBFC has to give the certification of the film like “A”, “U” “A/U” only with few advice.
Film must pick up the subjects from history and contemporary world. After the advent of Modi Government, Emergency has been the subject that has emotionalized the mass whilePM Modi begins to deliver his extempore speech on the brutality of system that had cropped up by Congress Government .Madhur himself has told that his film “INDU SARKAR” is influenced by the historical actuality of involving men and incidents that make the history of significance of emergency and seventy percent of the events in the film, has share of imagination and fiction. 

The film has great depiction of Sanjay Gandhi, the younger son of PM Indira Gandhi and husband of Cabinet Minister Maneka Gandhi and father of BJP MP Varun Gandhi but neither Maneka Gandhi nor Varun Gandhi had gone against the film. Either they sense it right publication on celluloid or they are afraid of raising a single question on this film.The fear not only mounts the pressure upon the corrupt politicians and creative middle class persons but also many who are inside the government at higher post.They have fear of losing the status whatever they have...
I admire Film Maker Prakash Jha who had gone to the court in support of his film " Lipstick under My Burqa" and he fought against previous CBFC constituted by UPA government for his film "CHAKRVYUH" for a song that contains the Ambani. The song was popular.
The film “UDTA PUNJAB” received monumental block from CBFC led by Pehlaj Nihalani but surprisingly this film does not paint the state Punjab in bad light. Mr.Pehlaj must be critical of his previous ban on few films that do not gather a single logic of cut and ban the film. So the banning the film itself is like an emergency imposed by chairperson Mr.Nihalani on Film Industry that is reduced in fear.
The congress party must learn about power of censor when it was reigning India uninterrupted , it had banned classic movie of the world “ AANDHI”. Congress Party has committed mistake in past by banning book, painting and sculpture and film. So the BJP has adopted the same weapon to attack on the films of other film makers and permits such films to release that help it ideologically.
I support the release of the film “ INDU SARKAR” .