About Films

Satya Prakash's POV

Film " FURY" :- Life is always important.

( In context of Terror attack on Paris, Beirut,Mumbai & Peshawar school )

Life and its pleasure are always significant.Film "Fury" is based on second world war and it portrays pain, pathos, distress and distraught among devastated and intimidated Europeans along with the unified armies that are fighting against barbarous Hitler's Nazy army that massacred Jews in gas chambers in crores in entire Europe. Senior sergeant of unified army makes a newly recruited young army man a brave soldier, saying that life is important always even in battlefield and life can be saved by killing opponents in battlefield.The ferocious war situations along with his proceeding war tanks in Germany learns and teaches him a lot to this sensitive young soldier "Logan" .

Sergeant takes Logan to a devastated house and they meet two women.One is very young and other is around forty year old.In a short time, ladies feel that they have come to rescue them.Logan and the young beautiful girl look at each other. Sergeant tells both of them to go to the room.They go. Older lady gently goes to kitchen to make brunch.Sergeant says to old lady that they are young and alive. Let them enjoy.

Logan and Emma( young girl) are so familiar and laughing and they go for romance.They come out with delight.For the first time in the battlefield, Logan feels so happy.The feared Emma's face is also chirping with smile.

Both sergeant and Logan go down their war-tank. All of a sudden, war plane drops bomb on the building. Logan gets berserk .He runs to moving and collapsing derbies of building and finds dead body of Emma.Logan cries. Sergeant solaces him.

The film " Fury" senses the human world to pay much importance to life, not war, not terror.Humanism has progressed worldwide with composite understanding of world set-up.It should always be protected.

Paris attack, Beirut attack,Mumbai attack, Peshawar school attack etc must be denounced and all human civilizations must stand against terrorism with single motto to wipe out from the world by going into their roots.

Sometimes film becomes a torchlight to say good to world mankind. Film "Fury" presents all the grotesque and horrifying human pathos in the battlefield of second world war, suggesting as to how developed mankind of world today may be saved from war, global warming and other natural catastrophes.

Brad Pitt and other actors have oozed out their parts of acting, saying the importance of life and human world.Logan Lerman has awesomely played his role.

Great hats off to director DAVID AYER..

About Films

Satya Prakash's POV


Film "Do Beegha Zameen" |:- Catharsis of farmers & workers of India.

Two Beegha Zameen --Land of one-third of an acre.

The film "Do Beegha Zameen" is catharsis of pathos of Indian farmers who have been thrown into metro and cosmopolitan cities as migrant labourers in cruel ways that keep disturbing and churning pain of heart of human beings.It's a regressing state of human civilization that eludes most of human beings and reduces them into subjugated persons to serve the system steered by feudo-capitalists as slaves in glistening democracy that also flashes our eyes to blink in pathetic astonishment.

Balraj Sahini transforms himself into a marginalized farmer Shambhu Mahto of one third land of one acre in his village. The landlord confiscates his land by auctioning by implicating him into false excess loan in his absence because he, his son and wife do not accumulate compounded money of landlord.

Shambhu comes back to village with wife and son but he suffers from distress and distraught to see a factory emerged on his land and house that kept his family happily together.His face gets gripped with sea amount of grief. He leans to pick up a handful soil from his land but security guard prevents him from picking up.

The most famous and respected film director Bimal Roy has depicted India's cruel feudal system that tries to relate themselves to the industrialization through evil tools of confiscation of land of marginalized farmers. Bimal Roy's film is an epic of pathos of farmers and working class that are reduced into hell like life. Such a huge migration of poor farmers into cosmopolitan cities have sent to oblivion.

Chimney and fence on land of Shambhu Mahto are various symbols used by director Bimal Da to allegorize emerging cruel capitalism with the help of feudalism.

In 1955,Film was made but this is still pertinent.

Hats off to Bimal Roy,Balraj Sahini, Nazeer Husain,Nirupa Roy, Meena Kumari..

Note: In stead of "Land Acquisition Bill", Land ceiling Bill" and Land distribution Bill" are needed. Confiscation of confiscated Government land by Land Mafia must be used to develop India.

About Films

Satya Prakash's POV

फिल्म " दो बीघा ज़मीन"- : : भारत के किसानों व मज़दूरों की वास्तविक तस्वीर

बहुत पहले एक फिल्म आयी थी और फिल्म का नाम है " दो बीघा ज़मीन"! बहुत ही मार्मिक और दिल को मथने वाली घटनाओं से गरीब किसान का परिवार गुज़रता है ! संवेदनशील व्यक्ति इस फिल्म के कथानक से यूँ जुड़ता है कि भारत में उदय होता नया गठजोड़ सामंत-पूँजीवाद की भयानक क्रूरता से आवाक रह जाता है !

छोटे-छोटे किसानो की ज़मीन हड़प कर किसान को भूमिहीन, बेघर और शहर की तरफ भगा देता था ! सामजिक-आर्थिक स्थितियों की वजह से मज़बूर होकर शहर जाकर रिक्शा चलाता है ! बूढ़ा बाप पागल हो जाता है ! पत्नी शहर आ जाती है ! बेटा शु-पुलिस करता है ! गावं में उसकी ज़मीन को नीलामी की प्रक्रिया में डालकर ज़मींदार खरीद लेता है और उसपर कारखाना बन जाता है !

शम्भू महतो परिवार के साथ गावं जब आता है तो वहां न उसे अपना घर दीखता है और न ज़मीन ! अवसाद और दर्द से कराहता अपनी ज़मीन की एक मुठ्ठी मिट्टी नहीं मिल पाता है, सिक्योरिटी गॉर्ड उसे भगा देता है ! शम्भू महतो अपने परिवार के साथ महानगर की त्रासद जीवन जीने महानगर की भीड़ में खो जाता है !
ऐसे करोड़ों शम्भू महतो देश के दूसरे प्रांतों से अपनी ज़मीन और घर से बेघर होकर महानगरों में मज़दूर बन कर जी रहे हैं, मर रहे हैं और उनकी ज़मीने कुछ लोगों के पास चली जाती है !
बलराज साहनी के अभिनय में वो कशिश है कि आप रो पड़ेंगे !निरुपा रॉय , मीना कुमारी ,नज़ीर हुसैन आदि ने मर्म-स्पर्शी अभिनय किया है !
महान निर्देशक बिमल रॉय ने भारतीय कृषक समाज की ट्रैजेडी को कथार्सिसि तकनीकी से परदे पर सफलता पूर्वक प्रस्तुत किया है !

१९५५ में बनी ये फिल्म आज के भारत कि भी तस्वीर पेश करती है ! निर्देशक बिमल दा,अभिनेता बलराज साहनी,नाज़िर हुसैन , अभिनेत्री मीना कुमारी , निरुपा रॉय को सल्लम के साथ -साथ श्रद्धांजलि !

नोट : इस देश में "भूमि अधिग्रहण क़ानून" से ज़्यादा ज़रुरत भूमि आवंटन क़ानून " की ज़रुरत है ! भू-माफिया से ज़ब्त सरकारी ज़मीनों को लेकर उनपर विकास का काम करने की ज़रुरत है !