About Films

Satya Prakash's POV

Baba Ram Rahim has written autobiographical script.

Political film is being set in Haryana with tight security of Paramilitary and Flag March of Army in the cities of Panchkula and Rohtak.The makeshift court is being constructed for court drama in the Rohtak Jail.The judges will land from the Helicopter with fortified security because the devotees of Ram Rahim has demonstrated their muscle power against state two days before in Haryana and Punjab by damaging the public and private property, assaulting upon the Police and common people. Around 38 People lost their lives to protect their Godman.Entire country is stunned to the strength of Hero Gurmeet Ram Rahim who had headed more than 35 departments of Film "MSG: The Warrior lion Heart".He is hero, director, Story-writer,Music Director, Costume Director and above all he is the producer too for the films.In Bollywood, if someone manages investment in making the films, he does not listen to others and he delivers all crafts of cinema whether or not he is aware of the technology of making the film. Saint Gurmeet is having plenty of money,can be sensed through the violence designed by him or his followers who had gone against the integrity of the country by chanting anti-national slogans.

 

Therefore,the making of the film is being shot by the various TV channels through various camera angle.Real film will begin at 2.30 pm in court that is the last scene of the film. The climax may create violence so that the Army is marching on the roads of Haryana, raising the flag and cautioning the self-proclaimed protector of Reilgion.However, the disciples of Godman Ram Rahim can not be mum over the final hearing of punishment.

 

The POV may be different but the judges have shown their commitment to restore the values of Law Book of country.The POV is point of view, Subjective Camera Angle and Objective Camera Angles altogether make the film.Here the anchor of various Satellite TV channels will becoming to the people of India through Subjective Camera Angle but the film will have all the camera angles. Baba Ram Rahim must have been familiar with these angles because he has directed the films.

Our judges will render the strict punishment so that other such so called religious ,hypocrite and jingoist saint will take lesson to disturb the integrity of the country. Court will go through the pathological treatment of such anti-national. 

 

Please be careful to see the film even at your Home TV Set.They have AK 47 and other high-tech arsenals confiscated from his Religious Ashram.Such an anti national vandalism, intimidation and murder must be amounted as Anti-National activity.

 

After climax of the film, the film would be action-oriented with perverted romance.Baba Ram Rahim can produce a film by financing his subordinate saint who will act as Ram Rahim,will be patronized by the government.

Religion is much more powerful than state ?

About Films

Satya Prakash's POV

Religion is much more powerful than state ?

Violence erupted in Punjab and Haryana when Baba Gurmeet Ram Rahim of Suchcha Dera was convicted in rape case has inspired me to write in two reasons:

First it's obvious by inclination of writing interest on social-political upheaval and second the saint has produced few of the films by becoming hero in those films.The political system is recessive and religious system is dominant. Or there may be tacit relation between Religion and politics.

Religion is much more powerful than state .One can see it in Haryana and Punjab.The army and more than 15000 para-military forces deployed, all modern high-tech communications blocked did not prevent religious vigilantes religious fanatics from damaging private and public property in bigger proportion and didn't save the people's lives. How can a rapist be  the master of knowledge to redeem the sufferings of the people ?

Religion can not be synonymous to the Development.How can the bloody and ferocious lumpenism of these followers of saint turned hero Gurmeet Singh and lynching activities of Cow-vigilantes convince me and other rational people that Religion is non-violent.

How can government fail to control them despite so many security precautions, surfaces doubts. The Home Minister Rajnath Singh was in touch with administration and other from foreign land but violence happened in its gruesome manner.

In Punjab,two Railway stations were damaged.Today, Haryana Roadways are looking a clean black serpentine road. Religion is like venom of snake only.

Another saint Rampal's verdict is also about to come in next week.Goverment must take precaution to look after the people of the state.

Religion is much more powerful than state we have seen in Mosque demolition in Ayodhya and now here in Haryana and Punjab.The people lose their thinking capacity as we have seen the few fanatics who go against a fourteen years old boy who had written something wrong about incarnated persona of a religion. So much brouhaha of hostility was aired !!!!!!

People died do not matter, religion matters because it wins to kill the people by intimidating the people and state power.

We are shooting here. Few of the people have forbade us from coming for shoot.The precarious position can be registered on the long and lonely road.Fear has gripped the ambience around human settlements and on the road that has brunt cars, vehicles.As if it is a bloody violent action scene of a film shooting.Very horrendous scene !!!!!!!!!!!!!!!

This violent action has a pathetic story as well as a grotesque romantic story of a Saint Gurmeet Ram Raheem Singh of Dera Suchha. The baba has been producers of two-three films and he became hero of the films "MSG", MSG 2" and other films.The saint has been glamour-loving world and that's why, he has made film by becoming protagonist who has created a magical karishma of being  incarnation of God who conveys the message of God. The film has high-tech use of VFX to enlarge the Baba Ram Rahim.He stir ripple in water of Bollywood but he is fanatic in creation also. He is self-centric and so he used to guide and control directer too. He had invested  seventy million Indian currency for his films. Other than this, he spent many millions Indian currency on Publicity and Release.Film got its money back along with Benefit .Ram Rahim has 100 million followers in the country but much more in Haryana and Punjab.

Our hero is in Police custody. However, he has shaken the political  power of Punjab and Haryana.One of saint who is Member of Parliament,has opposed the judgement of the court.It shows that Baba Gurmeet Ram Rahim has great influence upon the present political combination of ruling class of India.

The film maker must come forward to make a fabulous film on such a brave saint whose arrest has ruptured the law and order system of two states and more than 30 people lost their lives.

I am not shooting today. I am here only.

About FilmsSatya Prakash's POV

Film or any art form liberates the human world critically.

As a film maker and liberal person believing in universalization cannot go with opposition or ban of the film”INDU SARKAR” directed by Madhur Bhandarkar. Madhur keeps making a film based upon reality that prevails in our society. I am in support of “No Ban” to any art form of the world. The CBFC headed by Pehlaj Nihalani has been in controversy and brouhaha since he has been heading it for the matter of puritan form of art. Mr.Pahlani had gone against the film “ Lipstick Under My Burkha” produced by Prakash Jha who won the case in court and got the green flag of release. How can Pehlaj Nihalani be away from his own films that have obscene and kissing scenes in swimming pool. He had answered that after enthroning the post of chairperson of CBFC he chopped off the scenes after thirty years of their releases, makes me a great deal of laugh.

I and other arty persons must support the film makers for their creations. CBFC has to give the certification of the film like “A”, “U” “A/U” only with few advice.
Film must pick up the subjects from history and contemporary world. After the advent of Modi Government, Emergency has been the subject that has emotionalized the mass whilePM Modi begins to deliver his extempore speech on the brutality of system that had cropped up by Congress Government .Madhur himself has told that his film “INDU SARKAR” is influenced by the historical actuality of involving men and incidents that make the history of significance of emergency and seventy percent of the events in the film, has share of imagination and fiction. 

The film has great depiction of Sanjay Gandhi, the younger son of PM Indira Gandhi and husband of Cabinet Minister Maneka Gandhi and father of BJP MP Varun Gandhi but neither Maneka Gandhi nor Varun Gandhi had gone against the film. Either they sense it right publication on celluloid or they are afraid of raising a single question on this film.The fear not only mounts the pressure upon the corrupt politicians and creative middle class persons but also many who are inside the government at higher post.They have fear of losing the status whatever they have...
I admire Film Maker Prakash Jha who had gone to the court in support of his film " Lipstick under My Burqa" and he fought against previous CBFC constituted by UPA government for his film "CHAKRVYUH" for a song that contains the Ambani. The song was popular.
The film “UDTA PUNJAB” received monumental block from CBFC led by Pehlaj Nihalani but surprisingly this film does not paint the state Punjab in bad light. Mr.Pehlaj must be critical of his previous ban on few films that do not gather a single logic of cut and ban the film. So the banning the film itself is like an emergency imposed by chairperson Mr.Nihalani on Film Industry that is reduced in fear.
The congress party must learn about power of censor when it was reigning India uninterrupted , it had banned classic movie of the world “ AANDHI”. Congress Party has committed mistake in past by banning book, painting and sculpture and film. So the BJP has adopted the same weapon to attack on the films of other film makers and permits such films to release that help it ideologically.
I support the release of the film “ INDU SARKAR” .

About Films 
Satya Prakash's POV

"Thinking of Him" ::- First Romantic Film of a Nobel laureate in the world.

Our International Film “Thinking of Him” has entered in the phase of Post-production in the studio of Buenos Aires, the capital of Argentina. The film maker Pablo Cesar and other post-production professionals have been working on it to make the world’s fabulous, touchy and catchy love -story of Nobel Laureate “RabindranathTagore” and Argentinian famous authoress “Victoria Ocampo” being co-produced by Johnson-Suraj Films International, India and Cesar Films, Argentina.
Cine-professionals like editor, sound-designer, Back ground scorer and others are deeply involved to pay their best to make a wonderful film for the audiences of world.

“One Scene, One shot" cinematography treatment is the feature of this film. Another technical feature is sync sound.

The film “Thinking of Him” has 69 scenes that means the film must have 69 shots. However, the film has three scenes that have got use of elephant as living props in the jungle of Shantiniketan, Bolpur but on that very day, scenes did not have elephant available on the shooting locations and so three scenes got six shots and take one and take two. One scene has got a child hallucination that got also one extra shots. So film completes with 69 scenes and 73 shots.

When camera starts rolling till the director’s call of cut, is known as one shot. One take is a long take that lasts much longer than the traditional editing run. One take’s durability may be very long or may be the time-length of the film that fades out just before screening of credit roll. So in this regard, the film “Thinking of Him” has a piquant technical that is available in rare films.

Such a long take of a scene moves on dolly panther with long straight or circular trolley track with few persons assisting “Directorate of Photography”. "One scene, One Shot” seeks many rehearsal with the characters. The "Long Take" of a shot makes many compositions ranging from long size to mid to close-up to two to master size vice versa. Therefore, marking of positions of characters and their movements must gel with the pace of Dolly Panther.

The film “Thinking of Him” goes ahead from fade-in to fade-out with love of real persona like Rabindranath Tagore and Victoria Ocampo in real time and that’s why, “Black and White” tone of the film aestheticizes Tagore-Victoria’s era from India to Argentina to India to Paris.

This moving real happenings of the lives of protagonists of 1920’s, have been fiction zed in real locations. The real persona like GURUDEV or Rabindranath Tagore played by India’s great actor Victor Bannerjee who is not only looking like Tagore but he also adopts his body- language. Another real character is Victoria Ocampo played by Argentinean famous actress “Eleonora Wexler” who is not only so proximate to the persona of Victoria Ocampo but she is seemingly love of Tagore.

The film “ Thinking of Him” has been shot on romancing camera of Arriflex435 in the era of digital wave where a series of camera of 4k resolutions are available and they are being used to shoot but the Arriflex 435 has wheel of black and white reel as well as coloured reel too. So the entire team of both production houses had so been amused, thrilled during shooting from India to Argentina to France that was beyond the description of words. Arriflex 435 is a sort of romance of director, cinematographer, producers, other technicians and actors too.

The present time of the film goes ahead with fictional characters who keep moving in Shantiniketan, Bolpur that is two hours away from fast train voyage, Bolpur market, forests. This part of the film establishes a coherent philosophy of education designed by Nobel Laureate Tagore with the help of an young American fellow Leonard Elmhurst who is agriculturist too.

The present day spreads in a long span of time with many characters like 70 years old man Prakash, 13-15 years old Amaya, few students( boys and girls) and many fictional characters including young Kamali played by Raima Sen who has profoundly delivered her acting. Her eyes and face have much potential emotions to a fictional young professor Felix played by Hector Bordoni who has come to Shantiniketan to get rid of his agony.

Protagonists characters acted by Victor Bannerjee, Eleonora Wexler, Raima Sen, Hector Bordoni, Professor Bratin Chatterjee, Somo Sarkar and many characters from India, Argentina and France have played their share of roles along with sync of technical team and production team.

Mr.Suraj Kumar, the co-producer of the film “THINKING OF HIM” is hilariously waiting for the first cut of the film from his counterpart co-producer Mr. Pablo Cesar.

The first cut of the film after post-production will go through the dubbing in Hindi and Bengali languages from English that is used in sync sound tech on the silent locations.

This is the first film on the love of a Nobel laureate in the world Cinema I feel raised to be part of this film.

                                                                                                        By:Satya Prakash

About Films

Satya Prakash's POV

Antariksh has  musical guitar session of around 5 minutes.I find his compete devotion into playing guitar so amazing that one can sense the virtue of strings he plays on.
Please listen. enjoy and encourage Antariksh.

About Films 

Satya Prakash's POV

Film “ Thinking of Him” :- Amazing for Actor Victor Banerjee
( More than ½ age difference)

Unveiling the curtain to say to you all about our great International Actor Victor Banerjee who has acted the role of Nobel Laureate world’s poet Rabindranath Tagore in our film “Thinking of Him”. What an awesome resemblance between two personas of Bengal.

!!!!!!!!!!! What a body gesture and the move of his step of Victor Banerjee as Tagore!!!! Resemblance and actions of actor will take you to the image of Tagore, the entire human world has perceived in their senses.

Another striking feature profoundly and coincidently has happened in the life of great actor Victor Banerjee, is so fascinating that you will be amazed. In our film “THINKING OF HIM” the story revolves around the platonic love between Tagore and Argentinian famous authoress Victoria Ocampo and their intellectual pursuit. Moot point is the age –difference between two giant international personality .Love does not take notice of ages and wrinkles on skin. Love needs human discourse between two individuals.

Victoria and Tagore love to each other at the Human discourse of purest form of Art and that is none other than the poetry. Such a ventilation of art between them is termed as Love. However, we cannot dub love between Tagore and Victoria as their lovey-dovey .Their symbiosis became the symbiosis of two nations: India and Argentina. The actor Victor Banerjee drowns himself into ocean and becomes so impersonal from himself and forms a grand character of Rabindranath Tagore of various ages when he keeps replying to the letters of Victoria Ocampo since 1913 when he receives world’s most coveted accolade Nobel Prize for his poetry “Gitanjali”. Tagore touches his 52 springs and Victoria Ocampo has got fabulous 23 springs.
Actor Tagore is now at 63 and Victoria at 34. They both interact at Buenos Aires of Argentina. Victoria is restless to feel weakness of her Gurudev. She takes him to her residence.


A new sublimated intellectual discourse begins between them, between reciting Tagore and Vijaya (Tagore lovingly calls Victoria as Vijaya) Where is Our great actor Victor Banerjee ? You will nowhere find him in this film “Thinking of Him”. This is the immense impersonalization of Victor Banerjee into the world figure Rabindranath Tagore.This is the great virtue of actor who maintains his entire Byranotic (The romantic poet Byran of England) passion and intellectual fascination to the great young lady Victoria Ocampo of Buenos Aires. Eleonora Wexler ,the great young actress of Buenos Aries is so marvel to ooze out her character. Awesome sync between two awesome actors of India and Argentina has added aesthetic to the visuals of the film. When Tagore comes back to India, he confesses that his writings have improved with divine human fascination.He has written a love song for Victoria Ocampo and that is on the lips of Bengali people cutting across the ages. Tagore has painted more than two thousand paintings on humble insistence of Victoria Ocampo. This is the love between them.


Love has freed Tagore and Victoria from all social complexes and they have reached a new height of world persona that has compelled all of us to make film on it. In 1930, the same age difference but they meet in Paris where Victoria Ocampo organizes Painting Exihibition at Pigalle Gallery,Paris, France.This is manifestation of love on the part of love lady of Nobel laureate Rabindranath Tagore. Victoria’s love lies in fascination to the sacrifice. Tagore’s attention is so hearty that storms in the ocean of paintings and poetry.

Same beautiful thing happened again in Cine-life of great actor Victor Banerjee in film “The Jogger’s Park” where he is a retired judge who starts loving a beautiful young girl acted by sultry beauty Perizad who comes in contact with Judge for legal assistance because she has some property legal case. Victor Banerjee as Judge has assisted her with full devotion of infatuated love. The young unmarried girl and the retired judge frees from this bonding to the human plank. However, this film is complete a fictional work so they both actors play the fictional characters.

Reverse to it, our film “Thinking of Him” is fictiono-realistic film. Tagore and Victoria ‘s portion is real and that’s why, this part of film has been shot on Black and white reel of Arri 435….The film maker’s vintage romance is emotionally related to it.



How history of great actor Victor Banerjee gets replicated again in our film “THINKING OF HIM” in long years of 2003, romanticize all of us who can love the woman of any age if we value the woman as human.

About Films


Satya Prakash's POV



Film " BAHUBALI" & "BAHUBALI 2"

फिल्म " बाहुबली"----एक जादुई दुनिया .

विजुअल इफ़ेक्ट और एनीमेशन देखना है तो फिल्म से रागात्मकता होगी वरना ये फिल्म ये फिल्म प्रकांतर से राजा-रानी के बच्चों के राजा बनने की पुरानी कहानी है ! रात में सोते समय दादी और नानी जो कहानी सुनाती थी, उसे ही विशेष दृश्यात्मक प्रभाव से हिंसा को और भी रक्तरंजित करके निर्देशक ने परोस दिया है ! बाहुबली का पहला भाग से ये बोध हुआ था और मैंने इस फिल्म के ज़रिये अपनी दादी,परदादी, नानी को याद कर लिया था ! वो राजा और उसके घर के साज़िश और युद्ध के ताने-बाने अपनी स्थानीय बोली के शौर्य में सुनाती थी ! हम सारे बच्चे सोते ही नहीं थे और उन्हें कहते थे ..और फिर...! परदादी फिर से शुरू होती थी और हमारी नींद को उडा देती थी ! फिल्म" बाहुबली" की चर्चा इसीलिए भी हो रही है कि इस फिल्म का कथानक के ऊपर फिल्म के शिल्प का और खासकर डिजिटल शिल्प का प्रभाव दर्शक को बेचैन कर देता है , ठीक उसीतरह से जैसे संयुक्त -परिवार के सभी बच्चे बरामदे में पडी बिस्तर पर परदादी से कहते थे कि भीष्म पितामह ने ऐसा क्यों किया ? कटप्पा ने बाहुबली को क्यों मारा था !

 फिल्म " बाहुबली" २ के पास दर्शकों की बेचैन करनेवाली और बेतहाशा दौड़ का कारण भी यही है ! ये भी है लेकिन इसे बताने में सिने-शिल्प का जो वितान गढ़ा गया है ,वो अनुपम ही नहीं , मनमोहक है बिलकुल किस्सागोई करती परदादी, दादी और नानी की तरह !

फिल्म के शिल्प में कथानक का लोप भी हो जाए तो दर्शक फिर भी धड़कते दिल से फिल्म को देखता रहता है!
फिल्म तकनीकी-कला है लेकिन फिल्म उत्तर-तकनीकी कला का उत्तरार्ध की कला है जिसमें डिजिटल वर्ल्ड के सभी रंगों में दर्शक रंग जाते हैं ! एक जादू की दुनिया !